Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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Gustav Eberlein
Die Dackelfamilie mit Jager und Magd

ID: 73309

Gustav Eberlein Die Dackelfamilie mit Jager und Magd
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Gustav Eberlein Die Dackelfamilie mit Jager und Magd


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Gustav Eberlein

1847Spickerschausen-1926 Berlin,German sculptor. He attended the Realschule in Hannoversch Menden until 1861. He was apprenticed to a goldsmith in 1861-4 and thus learnt embossing, carving, chasing and engraving. He subsequently travelled as a journeyman, finding employment in Hildesheim, then in Kassel with the court jeweller, Ruhl. From 1867 to 1870, Eberlein trained as a sculptor under August von Kreling (1819-76), director of the Kunstgewerbeschule in Nuremberg, also working as Kreling's assistant to support his studies. On receiving a grant from Elisabeth of Prussia (the widow of Frederick William IV) for three further years of study,   Related Paintings of Gustav Eberlein :. | Daphne | Allegory in Honour of the Birth of Henri de France | A Nymph Playing with Cupid(Salon of 1857) | Witches Sabbath | Lion |
Related Artists:
Gerard Thomas
painted The collector of tithes in 1663-1720
WITTEL, Caspar Andriaans van
Dutch Baroque Era Painter, ca.1653-1736
WEENIX, Jan Baptist
Dutch Baroque Era Painter, 1621-ca.1663 Painter and draughtsman, son of Jan Baptist Weenix. Jan probably received his first instruction as a painter from his father, and it is possible that he helped finish certain of his father's works. He probably remained in Utrecht after his father's death. By 1664 he had become a member of the Guild of St Luke in Utrecht without, however, having submitted the required entrance painting, which he provided by 1668. There are several documented references to Jan in the late 1660s. He inherited a legacy along with his uncle, the painter Barent Micker, and other family members in 1667, at which time Gillis, his younger brother, apparently still required a guardian. He received another legacy in 1668, the year of his marriage, and in 1669 served as a witness for the inventory of the painter Jacob de Hennin (1629-c. 1688) in The Hague.






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